{"id":1054,"date":"2023-11-15T06:45:31","date_gmt":"2023-11-15T06:45:31","guid":{"rendered":"http:\/\/www.robertandrews.org\/LIFE\/?p=1054"},"modified":"2026-04-20T20:16:09","modified_gmt":"2026-04-20T20:16:09","slug":"whore-of-mensa","status":"publish","type":"post","link":"http:\/\/www.robertandrews.org\/LIFE\/whore-of-mensa\/","title":{"rendered":"~ RT: THE WHORE OF MENSA"},"content":{"rendered":"\n<div style=\"text-align: center;\"><\/div>\n<div><center><strong><a href=\"https:\/\/youtu.be\/62EQmcpa5ZM\">VIEW OUR FINISHED PRODUCTION<\/a><\/strong><\/center><\/p>\n<p style=\"text-align: center;\">\n<p>&nbsp;<\/p>\n<\/div>\n<p>By <a href=\"https:\/\/www.newyorker.com\/contributors\/woody-allen\">Woody Allen<\/a><\/p>\n<p>December 8, 1974<\/p>\n<ul>\n<li>Parts in order of Appearance:<\/li>\n<li>Narrator:\u00a0 Off Screen &#8211; Robert<\/li>\n<li>Word Babcock &#8211; The Victim &#8211; Dan O&#8217;Horo<\/li>\n<li>Action Direction:\u00a0 (CAPITAL LETTERS)<\/li>\n<li>Kaiser Lupowitz &#8211; Detective &#8211; Robert<\/li>\n<li>Flossie &#8211; The Madam &#8211; Cynthia Cielle<\/li>\n<li>Sherry &#8211; The Blonde &#8211; Donna Ellis<\/li>\n<li>Book Store Salesperson (short bit &#8211; female) &#8211; Elin Jeffords<\/li>\n<li>Back Room Hookers &#8211; about three (short bit &#8211; male and female)<\/li>\n<li>Sergeant Holmes &#8211; Final arrest (short bit) &#8211; Marge O&#8217;Horo<\/li>\n<li>Several extras &#8211; other police officers (short bit) &#8211; ask other Security<\/li>\n<\/ul>\n<input type='hidden' bg_collapse_expand='69ea2c8edf3a48076400033' value='69ea2c8edf3a48076400033'><input type='hidden' id='bg-show-more-text-69ea2c8edf3a48076400033' value='S C R I P T'><input type='hidden' id='bg-show-less-text-69ea2c8edf3a48076400033' value='Show Less'><button id='bg-showmore-action-69ea2c8edf3a48076400033' class='bg-showmore-plg-button bg-orange-button  '   style=\" color:#4a4949;\">S C R I P T<\/button><div id='bg-showmore-hidden-69ea2c8edf3a48076400033' ><\/p>\n<p>NARRATOR:\u00a0 One thing about being a private investigator, you\u2019ve got to learn to go with your hunches. That\u2019s why when a quivering pat of butter named Word Babcock walked into my office and laid his cards on the table, I should have trusted the cold chill that shot up my spine.<\/p>\n<p>BABCOCK:\u00a0 \u201cKaiser?\u201d he said. \u201cKaiser Lupowitz?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cThat\u2019s what it says on my license,\u201d I owned up.<\/p>\n<p>BABCOCK:\u00a0 \u201cYou\u2019ve got to help me. I\u2019m being blackmailed. Please!\u201d<\/p>\n<p>NARRATOR:\u00a0 He was shaking like the lead singer in a rumba band. I pushed a glass across the desk top and a bottle of rye I keep handy for nonmedicinal purposes.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSuppose you relax and tell me all about it.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cYou\u00a0.\u00a0.\u00a0. you won\u2019t tell my wife?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cLevel with me, Word. I can\u2019t make any promises.\u201d<\/p>\n<p>NARRATOR:\u00a0 He tried pouring a drink, but you could hear the clicking sound across the street, and most of the stuff wound up in his shoes.<\/p>\n<p>BABCOCK:\u00a0 \u201cI\u2019m a working guy&#8230; Mechanical maintenance. I build and service joy buzzers You know\u2014those little fun gimmicks that give people a shock when they shake hands?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSo?\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cA lot of your executives like \u2019em. Particularly down on Wall Street.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cGet to the point.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cI\u2019m on the road a lot. You know how it is\u2014lonely. Oh, not what you\u2019re thinking. See, Kaiser, I\u2019m basically an intellectual. Sure, a guy can meet all the bimbos he wants. But the really brainy women\u2014they\u2019re not so easy to find on short notice.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cKeep talking.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cWell, I heard of this young girl. Eighteen years old. A Vassar student. For a price, she\u2019ll come over and discuss any subject\u2014Proust, Yeats, anthropology. Exchange of ideas. You see what I\u2019m driving at?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cNot exactly.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cI mean, my wife is great, don\u2019t get me wrong. But she won\u2019t discuss Pound with me. Or Eliot. I didn\u2019t know that when I married her. See, I need a woman who\u2019s mentally stimulating, Kaiser. And I\u2019m willing to pay for it. I don\u2019t want an involvement\u2014I want a quick intellectual experience, then I want the girl to leave. Christ, Kaiser, I\u2019m a happily married man.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cHow long has this been going on?\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cSix months. Whenever I have that craving, I call Flossie. She\u2019s a madam, with a master\u2019s in Comparative Lit. She sends me over an intellectual, see?\u201d<\/p>\n<p>NARRATOR:\u00a0 So he was one of those guys whose weakness was really bright women. I felt sorry for the poor sap. I figured there must be a lot of jokers in his position, who were starved for a little intellectual communication with the opposite sex and would pay through the nose for it.<\/p>\n<p>BABCOCK:\u00a0 \u201cNow she\u2019s threatening to tell my wife,\u201d he said.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cWho is?\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cFlossie. They bugged the motel room. They got tapes of me discussing \u2018The Waste Land\u2019 and \u2018Styles of Radical Will,\u2019 and, well, really getting into some issues. They want ten grand or they go to Carla. Kaiser, you\u2019ve got to help me! Carla would die if she knew she didn\u2019t turn me on&#8230; up here.\u201d<\/p>\n<p>NARRATOR:\u00a0 The old call-girl racket. I had heard rumors that the boys at headquarters were on to something involving a group of educated women, but so far they were stymied.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cGet Flossie on the phone for me.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cWhat?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI\u2019ll take your case, Word. But I get fifty dollars a day, plus expenses. You\u2019ll have to repair a lot of joy buzzers.\u201d<\/p>\n<p>BABCOCK:\u00a0 \u201cIt won\u2019t be ten Gs\u2019 worth, I\u2019m sure of that,\u201d he said with a grin, and picked up the phone and dialled a number. I took it from him and winked. I was beginning to like him.<\/p>\n<p style=\"text-align: center\">&#8212;&#8212;&#8212;&#8211;{ # &#8211; FADE, THEN RESUME &#8211; #\u00a0 }&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>NARRATOR:\u00a0 Seconds later, a silky voice answered, and I told her what was on my mind.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI understand you can help me set up an hour of good chat,\u201d I said.<\/p>\n<p>FLOSSIE:\u00a0 \u201cSure, honey. What do you have in mind?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI\u2019d like to discuss Melville.\u201d<\/p>\n<p>FLOSSIE:\u00a0 \u201c\u00a0\u2018Moby Dick\u2019 or the shorter novels?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cWhat\u2019s the difference?\u201d<\/p>\n<p>FLOSSIE:\u00a0 \u201cThe price. That\u2019s all. Symbolism\u2019s extra.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cWhat\u2019ll it run me?\u201d<\/p>\n<p>FLOSSIE:\u00a0 \u201cFifty, maybe a hundred for \u2018Moby Dick.\u2019 You want a comparative discussion\u2014Melville and Hawthorne? That could be arranged for a hundred.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cThe dough\u2019s fine.\u00a0 Meet me at the B Campus Motel.\u00a0 Here&#8217;s my room number.&#8221;\u00a0\u00a0 (HAND FLOSSIE A PIECE OF PAPER)<\/p>\n<p>FLOSSIE:\u00a0 \u201cYou want a blonde or a brunette?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSurprise me,\u201d\u00a0 (HANG UP)<\/p>\n<p>NARRATOR:\u00a0 I shaved and grabbed some black coffee while I checked over the Monarch College Outline series. Hardly an hour had passed before there was a knock on my door. I opened it, and standing there was a curvaceous blonde who was packed into her slacks like two big scoops of vanilla ice cream.<\/p>\n<p>SHERRY:\u00a0\u00a0 \u201cHi, I\u2019m Sherry.\u201d<\/p>\n<p>NARRATOR: \u00a0They really knew how to appeal to your fantasies. Long straight hair, leather bag, silver earrings, no makeup.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI\u2019m surprised you weren\u2019t stopped, walking into the hotel dressed like that,\u201d I said. \u201cThe house dick can usually spot an intellectual.\u201d<\/p>\n<p>SHERRY:\u00a0\u00a0 \u201cA five-spot cools him.\u201d<\/p>\n<p>LUPOWITZ:\u00a0 \u201cShall we begin?\u201d (MOTION TO THE COUCH)<\/p>\n<p>SHERRY:\u00a0 (LIGHTING A CIGARETTE)\u00a0\u00a0 \u201cI think we could start by approaching \u2018Billy Budd\u2019 as Melville\u2019s justification of the ways of God to man, <em>n\u2019est-ce pas<\/em>?\u201d__<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cInterestingly, though, not in a Miltonian sense.\u201d<\/p>\n<p>NARRATOR: \u00a0I was bluffing. I wanted to see if she\u2019d go for it.<\/p>\n<p>SHERRY:\u00a0 \u201cNo. \u2018Paradise Lost\u2019 lacked the substructure of pessimism.\u201d<\/p>\n<p>NARRATOR: \u00a0She did.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cRight, right. God, you\u2019re right,\u201d I murmured.<\/p>\n<p>SHERRY:\u00a0 \u201cI think Melville reaffirmed the virtues of innocence in a na\u00efve yet sophisticated sense\u2014don\u2019t you agree?\u201d<\/p>\n<p>NARRATOR: \u00a0I let her go on. She was barely nineteen years old, but already she had developed the hardened facility of the pseudo-intellectual. She rattled off her ideas glibly, but it was all mechanical. Whenever I offered an insight, she faked a response:<\/p>\n<p>SHERRY:\u00a0 \u201cOh, yes, Kaiser. Yes, baby, that\u2019s deep. A platonic comprehension of Christianity\u2014why didn\u2019t I see it before?\u201d<\/p>\n<p>NARRATOR:\u00a0 We talked for about an hour and then she said she had to go. She stood up and I laid a C-note on her.<\/p>\n<p>SHERRY:\u00a0 \u201cThanks, honey.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cThere\u2019s plenty more where that came from.\u201d<\/p>\n<p>SHERRY:\u00a0 \u201cWhat are you trying to say?\u201d\u00a0 (VERY INTERESTED &#8211; SITS AGAIN)<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSuppose I wanted to\u2014have a party?\u201d I said.<\/p>\n<p>SHERRY:\u00a0 \u201cLike, what kind of party?\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSuppose I wanted Noam Chomsky explained to me by TWO girls?\u201d<\/p>\n<p>SHERRY:\u00a0 \u201cOh, wow.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cIf you\u2019d rather forget it\u00a0.\u00a0.\u00a0.\u201d<\/p>\n<p>SHERRY:\u00a0 \u201cYou\u2019d have to speak with Flossie.\u201d\u00a0 (PAUSE) \u201cIt\u2019d cost you.\u201d<\/p>\n<p>NARRATOR:\u00a0 Now was the time to tighten the screws.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 &#8220;Sorry Doll.\u00a0 There will be no party.&#8221;\u00a0 (FLASY BADGE, AND BUST HER)<\/p>\n<p>SHERRY:\u00a0 \u201cWhat!\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI\u2019m fuzz, sugar, and discussing Melville for money is an 802. You can do time.\u201d<\/p>\n<p>SHERRY:\u00a0 \u201cYou louse!\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cBetter come clean, baby. Unless you want to tell your story down at Alfred Kazin\u2019s office, and I don\u2019t think he\u2019d be too happy to hear it.\u201d<\/p>\n<p>SHERRY:\u00a0 (CRYING). \u201cDon\u2019t turn me in, Kaiser. I needed the money to complete my master\u2019s. I\u2019ve been turned down for a grant. <em>Twice<\/em>. Oh, Christ\u00a0.\u00a0.\u00a0.\u201d<\/p>\n<p>NARRATOR:\u00a0 It all poured out\u2014the whole story. Central Park West upbringing, Socialist summer camps, Brandeis. She was every dame you saw waiting in line at the Elgin or the Thalia, or pencilling the words \u201cYes, very true\u201d into the margin of some book on Kant. Only somewhere along the line she had made a wrong turn.<\/p>\n<p>SHERRY:\u00a0 (SNIFFLING). \u201cI needed cash. A girl friend said she knew a married guy whose wife wasn\u2019t very profound. He was into Blake. She couldn\u2019t hack it. I said sure, for a price I\u2019d talk Blake with him. I was nervous at first. I faked a lot of it. He didn\u2019t care. My friend said there were others. Oh, I\u2019ve been busted before. I got caught reading <em>Commentary<\/em> in a parked car, and I was once stopped and frisked at Tanglewood. Once more and I\u2019m a three-time loser.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cThen take me to Flossie.\u201d<\/p>\n<p>SHERRY:\u00a0 (BITING HER LIP) \u201cThe Hunter College Book Store is a front.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cOK&#8230; Go ahead..?\u201d<\/p>\n<p>SHERRY:\u00a0 \u201cLike those bookie joints that have barbershops outside for show. You\u2019ll see.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 (PICK UP PHONE, TURN BACK TO CAMERA, MAKE A PHONE CALL)<br \/>\n\u201cO.K., sugar. You\u2019re off the hook. But don\u2019t leave town.\u201d<\/p>\n<p>SHERRY:\u00a0 (TENDERLY &#8211; LOOKING INTO LUPOWITZ EYES)\u00a0\u00a0 \u201cI can get you photographs of Dwight Macdonald reading.&#8221;<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cSome other time.\u201d<\/p>\n<p style=\"text-align: center\">&#8212;&#8212;&#8212;&#8211;{ # &#8211; FADE, THEN RESUME &#8211; #\u00a0 }&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 (WALKING INTO BEATITUDES LIBRARY, LOOKING AROUND)<br \/>\n(KEEP CAMERA FOCUS ON THE DESK, NOT THE READING TABLE)<\/p>\n<p>LIBRARIAN:\u00a0 \u201cCan I help you?\u201d he said.<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cI\u2019m looking for a special edition of \u2018Advertisements for Myself.\u2019<br \/>\nI understand the author had several thousand gold-leaf copies printed up for friends.\u201d<\/p>\n<p>LIBRARIAN:\u00a0 \u201cI\u2019ll have to check.\u00a0\u00a0 We have a <em>WATS<\/em> line to Mailer\u2019s house.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 (STARING FIXEDLY AT THE LIBRARIAN) \u201cSherry sent me,\u201d<\/p>\n<p>LIBRARIAN:\u00a0 \u201cOh, in that case, go on back,\u201d\u00a0 (PRESSING A BUTTON).<\/p>\n<p style=\"text-align: center\">&#8212;&#8212;&#8212;&#8211;{ # &#8211; FADE, THEN RESUME &#8211; #\u00a0 }&#8212;&#8212;&#8212;&#8211;<\/p>\n<ul>\n<li>(ACTION DESCRIPTION)\n<ul>\n<li>SHOW SLIDING DOOR &#8211; FROM INTERNET)<\/li>\n<li>CHANGE SCENE TO READING TABLE IN LIBRARY<\/li>\n<li>SCHOLARLY PEOPLE SITTING AROUND READING &#8211; LOOK UP<\/li>\n<li>SHOW CLOSEUPS OF SCHOLARLY BOOKS<\/li>\n<li>SOMEBODY SMILES AND WINKS<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>SMILER:\u00a0 \u201cWallace Stevens, eh?<\/p>\n<p>NARRATOR:\u00a0 \u201d But it wasn\u2019t just intellectual experiences\u2014they were peddling emotional ones, too. For fifty bucks, I learned, you could \u201crelate without getting close.\u201d<br \/>\nFor a hundred, a girl would lend you her Bart\u00f3k records, have dinner, and then let you watch while she had an anxiety attack.<br \/>\nFor a hundred-fifty, you could listen to FM radio with twins.<br \/>\nFor three bills, you got the works: A thin Jewish brunette would pretend to pick you up at the Museum of Modern Art, let you read her master\u2019s thesis, get you involved in a screaming quarrel at Elaine\u2019s over Freud\u2019s conception of women, and then fake a suicide of your choosing\u2014the perfect evening, for some guys.<br \/>\nNice racket. Great town, New York.<\/p>\n<p>FLOSSIE:\u00a0 (GRUFFLY FROM BEHIND) \u201cLike what you see?\u201d<\/p>\n<p>NARRATOR: \u00a0 I turned and suddenly found myself standing face to face with the business end of a .38. I\u2019m a guy with a strong stomach, but this time it did a back flip. It was Flossie, all right. The voice was the same, but she was wearing a mask, and the tone of her voice was not quite so tender and understanding.<\/p>\n<p>FLOSSIE:\u00a0 \u201cYou\u2019ll never believe this,\u201d he said, \u201cbut I don\u2019t even have a college degree. I got thrown out for low grades.\u201d<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 \u201cIs that why you wear that mask?\u201d<\/p>\n<p>FLOSSIE:\u00a0 \u201cI devised a complicated scheme to take over <em>The New York Review of Books<\/em>, but it meant I had to pass for Lionel Trilling. I went to Mexico for an operation. There\u2019s a doctor in Juarez who gives people Trilling\u2019s features\u2014for a price. Something went wrong. I came out looking like Auden, with Mary McCarthy\u2019s voice. That\u2019s when I started working the other side of the law.\u201d<\/p>\n<p>NARRATOR: \u00a0 (SHOW ACTION WITH VOICE-OVER). Quickly, before he could tighten his finger on the trigger, I went into action. Heaving forward, I snapped my elbow across his jaw and grabbed the gun as he fell back. He hit the ground like a ton of bricks. He was still whimpering when the police showed up.<\/p>\n<p>(SARGENT HOLMES ENTERS WITH THREE OTHER POLICEMEN)<\/p>\n<p>LUPOWITZ:\u00a0 Sargent Holmes.\u00a0 About time you joined the party.&#8221;<\/p>\n<p>HOLMES:\u00a0 \u201cNice work, Kaiser. \u201cWhen we\u2019re through with this guy, the F.B.I. wants to have a talk with him. A little matter involving some gamblers and an annotated copy of Dante\u2019s \u2018Inferno.\u2019 Take him away, boys.\u201d<\/p>\n<p style=\"text-align: center\">&#8212;&#8212;&#8212;&#8211;{ # &#8211; FADE, THEN RESUME &#8211; #\u00a0 }&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>LUPOWITZ:\u00a0\u00a0 (SITTING IN AN EASY CHAIR &#8211; FINISHING THE STORY). Later that night, I looked up an old account of mine named Gloria. She was blond. She had graduated <em>cum laude<\/em>. The difference was she majored in physical education. It felt good.<\/p>\n<p>&nbsp;<\/p>\n<p>Published in the print edition of the <a href=\"https:\/\/www.newyorker.com\/magazine\/1974\/12\/16\">December 16, 1974<\/a>, issue.<\/p>\n<p>&nbsp;<\/p>\n<p><\/div>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Tips Tricks - Flashback\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/62EQmcpa5ZM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIEW OUR FINISHED PRODUCTION &nbsp; By Woody Allen December 8, 1974 Parts in order of Appearance: Narrator:\u00a0 Off Screen &#8211; Robert Word Babcock &#8211; The Victim &#8211; Dan O&#8217;Horo Action Direction:\u00a0 (CAPITAL LETTERS) Kaiser Lupowitz &#8211; Detective &#8211; Robert Flossie &#8211; The Madam &#8211; Cynthia Cielle Sherry &#8211; The Blonde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1054","post","type-post","status-publish","format-standard","hentry","category-b-readers-theater"],"_links":{"self":[{"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/posts\/1054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/comments?post=1054"}],"version-history":[{"count":22,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/posts\/1054\/revisions"}],"predecessor-version":[{"id":2796,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/posts\/1054\/revisions\/2796"}],"wp:attachment":[{"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/media?parent=1054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/categories?post=1054"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.robertandrews.org\/LIFE\/wp-json\/wp\/v2\/tags?post=1054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}